Peter Caras (b. 1941) is a long-time and well-respected illustrator and graphic designer whose paperback cover artwork dates back to the 1960s. Inspired by the great Rockwell and mentored by James Bama, it's cool to see their styles mingled in pulpy yet highly skilled art. Much, if not most, of Caras's output was in genres I have never followed: Westerns, spy thrillers, adventure yarns, historical novels, young adult fiction, modern romances, pulpy erotica, and superhero novelizations. Appreciate his attention to the realistic detail of tormented faces, menacing leers (almost Kubrickian!), to contrasting design, and the vivid use of light and shadow. Despite his prominence in other genres, there can be no doubt Caras is a master of the paperback horror cover.
Two fairly recognizable covers for paperbacks by one Duffy Stein, The Owlsfane Horror (Dell, Nov 1981) and Ghost Child (Dell, 1982). Word is these are disposable, mediocre novels, but I gotta have them on my shelf anyway.
Two fairly recognizable covers for paperbacks by one Duffy Stein, The Owlsfane Horror (Dell, Nov 1981) and Ghost Child (Dell, 1982). Word is these are disposable, mediocre novels, but I gotta have them on my shelf anyway.
(thanks to La Creeperie for this stepback image)
Effigies from 1980 was one of my favorite reads of 2016. How can you not love this cover and its stepback revealing the shocking evil that lurks behind an innocent visage. Virtually perfect.
Total '60s style for this 1967 Paperback Library Black Magic Library of Terror (some kind of series, unknown number of volumes, that I'm trying to track down).
5 comments:
Caras also did the first eight books in Warner's The Avenger pulp reprint series as well as #1, 2, &$ of Berkley's The Spider pulp reprint series...both using model Steve (Doc Savage) Holland who also posed for The Dead Riders cover!
The cover for "The Dead Riders" reminds me of the start of a luchador wrestling match.
"Caras" in Spanish means precisely... "faces".
I really dig that solarized effect he uses on a couple covers.
These covers are absolutely fantastic, they invite a closer look to see what's going on. Caras' work is much more subtle than the usual horror cover fare of the era.
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