They were monsters—greedy green monsters!
They looked as if they would eat anything they could catch, chewing it to bits in their enormous jaws... One of the mantises had cornered a man... who couldn't run enough to escape the wildly dashing insect. It flopped him onto the ground and began eating him as if he were a fish, a hunk of meat, anything edible.
And it did not bother to kill him before devouring him.
He lay kicking, and no doubt screaming, as the green monster ate him alive.
From a mind deranged springs this ludicrous, bat-shit bonkers sleaze-horror novel. This is the book that's either the zenith or the nadir of paperback pulp-horror fiction. In fact I feel guilty selling it as either because as of today, this book is impossible to obtain for less than $300, and it is not worth that no matter where it stands on the horror scale. Eat Them Alive—its title alone appealing to our basest fears, crude and simplistic as a tabloid headline, humanity reduced to food—is truly garbage. There's no percentage in arguing otherwise. And yet...
First published by Manor Books in 1977 and then by New English Library (with cover art by Tim White), Alive is amateurish, moronic, thoughtless, sadistic, repetitive schlock with no redeeming value whatsoever. What enjoyment there is comes in the form of disbelief. You'll be amazed at the lack of any attempt at realism in any aspect. Author Pierce Nace (more on this person later) piles one outrageously graphic scene on top of another. You'll be astounded at the depraved depths to which the author can descend. You can read the narrative on the back cover copy: that's all there is to it.
They were clambering over each other to escape their caves or undersea holes or wherever else they had lived. They must have dwelt beneath the island for thousands of years. They must be a throw back to the dinosaurs...
Nace shoves in your face and smashes in your mouth what other pulp writers hinted at and around, that Dyke is hardly a man, as he was castrated by the four men he tried to rip off ("No, no! Don't cut me there! Slice off anything else, but leave me that!"). You won't forget this because Nace will lapse into repetition at a moment's notice. It's hilarious how Nace has Dyke talk to himself about his lust for vengeance, reiterating his personal motivation, as if Nace is writing a work of such complexity and nuance that the reader may have become unclear on the basics: "It's the only thing I've got to live for, because it'll further my plan for revenge on those four guys for making me what I am, an impotent no-man... I want to watch... as the giant mantises eat them alive!" Oh shit, how about that, that's the title of the book, wow, it totally slipped my mind. Way to bring it all back home, Pierce Nace!
Anyway, Dyke sees the destruction on that island from the safety of his fishing boat, he thinks: If he could tame this one insect, teach it to respect and follow his commands, then he could tame others, make them a powerful force to do his bidding. And par for the course in landscape of illogicality, Dyke does train the biggest mantis. Nace goes into lots of spurious logistics about how he goes about this without getting eaten. He paints its head red to tell it apart and then mutters to himself:
A name. The thing's got to have a name... But what will it be? How do you name a beast whose sole purpose is acting as your instrument of boiling revenge, of mind-racking torture, of slow and horrendous death? Well, how about "Slayer"? This man-sized bug is going to slay for me... Slayer will be the torturer, but I'll be the watcher, the enjoyer, the cheerer-on. I'll love watching my great green mantis as he rips into bodies, as he eats them part by part. I'll feel excited, obsessed, I'll grow tall in the feeling...
Manor Books, 1977, with accurate cover art (by artist unknown alas) so that's something
"Good boy, Slayer, You're the biggest of them all—and the only one with a red head.
You will command them as I will command you!"
Somebody please tell me Kerry King read this book back in the early '80s. The story plods on, as thin as the paper it's printed on, with lots of gore and nonsense (the beasts lovingly devour women's breasts), till yes, he tracks down each of the men who tortured him... they all happen to live nearby. How fortuitous!
The unsparing of any detail in depicting the creatures' ravenous appetite and the ease with which they tear part the "human food" has a dehumanizing effect on the reader if one tries to imagine such a scene in the real world. And yet violence never gets next level: for all its intensity, the same descriptions of gore are used over and over again. Sure, the monsters do love eating the stomach contents of other mantises, and squeezing out human intestines for a dipping sauce. But when describing the massive trauma of tearing off of limbs and heads you won't read vocabulary like ligament, cartilage, tissue, or anything that would require any knowledge besides a child's understanding of anatomy. No one ever vomits or shits their pants in fear—why, that would be too far!
Many times Slayer ran his claws inside the pieces of skull, as if to be sure hew as getting every edible bite...
Next the beast pulled the arms from the man as Dyke had done to grasshoppers a thousand times when he was a boy. The arms came out of their sockets like paper in the mantis's pull. While the man screamed on, the enormous insect ate his hands, his wrists, his elbows, the whole of his arms...
Before the mantis rent the organs from the chest and stomach cavities, he bent low over the girl and filled his great maw with all that stamped the body as female. Watching, Dyke thought, God, I think I could eat that part myself. I could never touch a woman's privacy otherwise. Perhaps sometime I can share such a part with one of the beasts when he eats it...
Slayer crouched beside his master, eating babies and children almost whole, not bothering to tear them to bits—and finding his ultimate joy in the women he stripped and slit and ate.
One redeeming factor is that since Dyke is castrated, he can't really get erotically aroused by watching these monster consume human meat; I mean he almost gets there but it's one place the author stops short—on purpose? As he ponders to himself watching an old man he knew become mantis prey:
Would not Dyke's four enemies beg pitifully, on their abject knees, if he came marching at the head of a hungry horde of praying mantises that were commanded to devour Dyke's torturers? God, what a devil's joy that would be!
To wrap up: not one of the books I've read by other sewage-purveyors like Guy N. Smith, Shaun Hutson, or Richard Laymon can compare with the trashtastic lunacy on display here. But it is obsessed with human degradation, humiliation, emotional torment, and the limits of physical pain while understanding none of it. Nace has produced a work that is the creative equivalent of pulling wings off flies, a childish cruelty that is virtually sociopathic in its divorce from actual human comprehension. As I said, there's no attempt to present the events realistically. I guess it's like reading porn written by someone who's never had sex. Unlike other pulp-horror novels, which are often mediocre and boring in the extreme, Alive offers hilariously repugnant ineptness; so poor and idiotic and unrelenting, going along for the ride offers sick thrills one doesn't get often. You will keep reading no matter what!
This novel beggars all critical approach. I know it sounds irresistible, but I still don't know if I can recommend Eat Them Alive, and like I said it is not worth $300! I mean, I bought a copy, the New English Library edition maybe a year and a half ago, for $5 plus $10 shipping from the UK; is that luck, or something else? But it is part of the paperback horror boom so I feel duty-bound to write about it... such is my lot, my curse, my devil's joy.