Skulls are
muy importante when it comes to horror paperback covers, perhaps the most essential icon of all.
Karl Edward Wagner was primarily known as an editor of
Year's Best Horror Stories for years, as well as for his Conan-esque character Kane. He died in 1994 in Chapel Hill, North Carolina, apparently after years of wild drugs and drinking, but his stories display a real sensitivity and maturity. These two collections from the 1980s are
essential reads for the serious horror-fiction fan. The dancing phantom woman in the skull's eye on
In a Lonely Place (Mar 1983, Warner, cover art by
Barclay Shaw) appears in "In the Pines." Wagner's most well-known horror tale, "Sticks," originally published in 1974 in
Whispers magazine, is a stunning predecessor to
The Blair Witch Project (1999), and is also an effective, doom-heavy tale of Lovecraftian menace. A pulp horror artist (based on
Lee Brown Coyne) comes across a strange collection of bundled lattices of sticks in the lonely woods of upstate New York.
It should have
been ridiculous. It wasn't. Instead it seemed somehow sinister - these
utterly inexplicable, meticulously constructed stick lattices spread
through a wilderness where only a tree-grown embankment or a forgotten
stone wall gave evidence that man had ever passed through.
What I like most about Wagner’s style is that he writes like a person who's lived a
varied and interesting life. His depictions of romantic relationships
have an honest, albeit sometimes bitter quality to them. He’s good at
showing male friendship and bonding, making me think he’s drawing from
his own experience. "Where the Summer Ends" at first seems like the tale of a broke college
student who’s trying to fix up his shitty apartment by buying
interesting pieces from an old drunk’s junkyard collection, his yard entangled by impenetrable kudzu. Then you get
to the last part and you realize you’ve been reading a horror story all
along.
Readers may not know Wagner trained as a psychiatrist but left the field to pursue writing, which lends a trenchant psychological insight to his works. Stories like "Old Loves," "The Last Wolf," "Neither Brute Nor Human," and "More Sinned Against" from
Why Not You and I? (Sept 1987, Tor, cover art by
J.K. Potter) display a knowledge of the world of writers and horror fandom and some attendant dangers of real-life love (hence the kissing skulls). The latter tale, about the horrifying fate of a Tom Selleck-style action TV star, was my first introduction to Wagner when I read it in the rollicking splatterpunky collection
Silver Scream (1988), edited by
David J. Schow. It took me a couple years to track down affordable used copies of these old paperbacks; they're well-worn but comfortably well-loved and hold a position of some renown in my collection.
Well-worn but comfortably well-loved.
Well-worn but comfortably well-loved.
