These pale, haunting, geometric sketches for very late Sixties and very early Seventies occult paperbacks from Signet Books are a refreshing palate-cleanser for when the lurid and tacky covers one usually sees becomes overwhelming. Whispers work wonders here, thanks to the delicate, intimate style of illustrator
Robert Heindel (1938-2005), an artist I only learned of after spying his signature "R. Heindel" on a recently purchased copy of the 1970 edition of
The Mephisto Waltz.
The doll's head in a circle, carefully drawn hands at the piano, and
eyes closed in repose reminded me of a favorite cover for a book I have
been unable to find cheaply, the intriguingly titled
A Feast of Eggshells. Somewhere in my searches I discovered another similar cover and noted that signature, then began to track down more by
Heindel.
Which is how I discovered that he's a world-famous painter of ballet
and other dance, whose artwork has been collected by Princess Diana,
Andrew Lloyd Weber, and George Lucas! Claaaaasssy for a guy whose
earliest works appeared on these "easy-to-see large-type" Gothic/occult
paperback originals. I love it!
I found five other horror covers from Heindel: Neither the Sea nor the Sand, Suffer a Witch, Along Came a Spider, The Ouija Board, and The Devil Boy. Personally, I think these are simply wonderful, as they feature all the signifiers of genre works of the era: creepy kids, eerie witches, haunted houses, Rosemary's Baby. If anyone knows of other covers he did like this, please let me know...
More interesting is that I've been seeing his work on more famous paperbacks for decades and didn't even realize it: his most well-known cover illustrations are for Signet's series of Ayn Rand reprints. Crazy, right? You can even buy the originals of these
here.
